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Artist: ALICE COOPER
Album: "BRUTAL PLANET + DRAGONTOWN RE-ISSUE (2CD)"
Year:
2013
Media type:
CD
- МЕГА РАЗПРОДАЖБА!! ВАЖИ ДО ИЗЧЕРПВАНЕ НА ОПРЕДЕЛЕНИТЕ КОЛИЧЕСТВА!!
Цена:
18.00 лв. (BGN)
Cat. No.: WIZ00017904
Label: Armoury
Genre: Melodic Hard Rock/ AOR, Hard Rock
Статус: КОЛИЧЕСТВАТА ОТ ТОЗИ ФОРМАТ/АРТИКУЛ СА ОКОНЧАТЕЛНО ИЗЧЕРПАНИ И НЕ МОГАТ ДА БЪДАТ ДОСТАВЕНИ [!]
Permanently Out of Stock!
These two releases confirmed Cooper’s artistic reinvention, but failed commercially. Marlette has gone on to produce albums from Seether, Shinedown and Filter amongst others. Cooper’s subsequent recordings saw his return to the theatrical, melodic hard rock of his earlier career.
Hooking up with Bob Marlette in 2000 was one of the best things Alice Cooper could have done. Cooper had written with a host of acclaimed songwriters on previous albums – Desmond Child, Jack Ponte, Jack Blades, Jim Vallance, Mark Hudson and others – but writing a full album with a producer and songwriter as skilled and talented as Marlette gave Cooper new voice. There’s a sense of purpose and a cohesion to Brutal Planet that make it infinitely greater than the sum of its parts.
CD1 - Brutal Planet (2000):
Brutal Planet Wicked Young man Sanctuary Blow Me A Kiss Eat Some More Pick Up The Bones Pessi-mystic Gimme It’s The Little Things Take It Like A Woman Cold Machines
Unarguably a continuation of Brutal Planet, with Cooper and Marlette again collaborating, and Cooper surrounding himself with a tighter than tight band – Eric Dover, Tim Pierce, Ryan Roxie and Kenny Aronoff. Cooper and Marlette, by now enjoying a collusive and confident songwriting relationship, fan that creative spark into something more substantial on Dragontown. Here, Cooper is guided by a greater sense of social commentary and narrative complexity. He torques up the tension on funereal elegy, ‘Deeper’ and laces ‘Sex, Death & Money’s morality tale with dark humour. ‘Somewhere In The Jungle’ and ‘I Just Wanna Be God’ are less about the music and more about creating a clinging, dream-like atmosphere, where the message is hammered home by heavyweight guitars and pounding beats. This time around, a couple of more commercial – or at least accessible – tracks are to be found among the grim tales of alienation and materialism. ‘Triggerman’ keeps a foothold in Cooper’s big chorus, big hook past, and the endearing ballad, ’Every Woman Has A Name’ add greater musical and emotional range to Dragontown, providing radio with an opportunity to play Cooper’s new music, without compromising anyone’s position.
CD2 - Dragontown (2001):
Triggerman Deeper Dragontown Sex Death And Money Fantasy man Somewhere In The Jungle Disgraceland Sister Sara Every Woman Has A Name I Just Wanna Be God It’s Much Too Late The Sentinel
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