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FOR ALL KINGS
ANTHRAX
"FOR ALL KINGS"
Thrash Metal
Year:2016
(NUCLEAR BLAST)


ДРУГИ АРТИКУЛИ НА
ANTHRAX:

It’s rare that a career gets a second shot, let alone a whole second act, but then ANTHRAX isn’t your average band. Formed in New York in 1981, the group that would go on to sell over ten million records and become the living embodiment of America’s hi-top wearing, riff-spitting, ear-thrashing answer to the New Wave Of British Heavy Metal has undergone not one, but two complete eras - but that isn’t their real achievement. More than the group who let a fledgling METALLICA crash on their studio floor in 1983, who became a lightning rod for geekdom by immortalizing Judge Dredd with 'I Am The Law' in 1987, who enthusiastically raised a middle finger to the critics and unimaginative fans alike by collaborating with rappers PUBLIC ENEMY in 1991, and who - in 2011 with the release of »Worship Music« - proved that classic albums aren’t a bygone concept, the story of ANTHRAX is one of gritty determination in the face of outrageous odds.

The liveliest fourth of the Big Four, they’re arguably the only member of that legendary fraternity who’ve kept their eyes so firmly focused forward and who’ve so consistently delivered the goods, both on stage and in the studio. Ironically, it was on stage alongside those immortal co-conspirators where the story of ANTHRAX’s 11th studio record began. Seeing their names in lights next to SLAYER, MEGADETH, and METALLICA had a catalyzing effect on the band weary from years of toil and changing times. According to bassist Frank Bello, it wasn’t just a potent reminder of what they did back in the 80s, but also of how far they’ve come.

“Charlie, Scott and I have talked about how we have to credit Metallica with what we’re doing right now,” he says. “When the Big Four got back together back in 2009, it kinda reminded us that we belonged, that we really were part of that group of bands. We didn’t forget it but maybe people did - it suddenly made sense. It was like, 'wow, we’ve been busting our asses for all those years,' and then we released »Worship Music« - that was the catalyst. We knew we had something awesome, but it was about everybody giving it a chance - we sold a lot of records. It’s testament to how great metal fans are, because they came back.”

“We’ve been doing this for 35 years now,” Frank continues. “We are who we are, we can’t be something we’re not, we can’t bullshit people…that’s just a New York mentality.”

As with any band, ANTHRAX has its creative turbulences, but those add up to their unique chemistry. While all five members contribute ideas and make suggestions to pretty much every song, drummer Charlie Benante makes early writing inroads with foundation riffs and other ideas, rhythm guitarist Scott Ian has a very particular way of incorporating his intense lyrical ideas into the band's music, Bello has proven to be a very talented melody writer, something that has helped set the band’s music apart from others in the same genre, Belladonna crafts his vocals to best utilize that soaring voice of his, and guitarist Jon Donais brings crushing leads. In the end, the five bring it all together to create what simply is ANTHRAX music.

Scott will be the first to admit that the »For All Kings« (Nuclear Blast) backstory hasn’t exactly been conventional or without its setbacks. In the summer of 2012, Charlie realized that due to his ongoing carpel tunnel syndrome, he would be unable to join the band on all tour dates going forward. But Charlie wasn’t about to just sit around at home, so began writing riffs for the new album.

“When the Mayhem tour was over,” said Scott, “Frank, Charlie and I got together in the Jam Room in my house in L.A. and started arranging, and out of those first sessions, we had like four skeletal arrangements. Those first sessions were unbelievable.”

The result, in short, is a record that’s as diverse as it is satisfying: a feast for the ears, and something of a victory lap for a band that bears the unique distinction of inventing what they do while still being the best at what they do. From the straight-ahead, no-nonsense fury of 'You Gotta Believe' and 'Evil Twin' to the sprawling, heavy-riffing masterpiece of 'Blood Eagle Wings' (original working title, 'Epic') to its stately title track, »For All Kings« was - as Joey reveals - as much fun to record as it was to listen to. Chalk it up to the masterful efforts of Grammy-nominated »Worship Music« co-producer Jay Ruston, whose credits span the likes of STONE SOUR, KILLSWITCH ENGAGE, and STEEL PANTHER, among others.

“Lyrically there’s no overall concept,” Scott adds. “I have a child now, and this is the first record I’ve ever written lyrics for since I’ve had a son. That’s how I view the world now. You bring a child into the picture, and it makes everything so much scarier. Out of fear comes anger and it makes you hate the world that much more. You’ve got this human being you would take a bullet for - I would do anything to protect my son - so most of the album comes from that place. I don’t write happy lyrics, but to have a child in this world and then tell me that I shouldn’t be angry? That was a huge well of fear in my belly to draw from.”

The result is an album that’s as ferocious as it is sublime, as current as it is classic. From the straight-ahead thrashing brilliance of opener 'You Gotta Believe' and 'Breathing Lightning' to the seven-minute majesty 'Blood Eagle Wings,' »For All Kings« is the quintessential ANTHRAX record, and proof positive that you can’t keep a good band down.


TRACKLIST CD:

01. You Gotta Believe
02. Monster At The End
03. For All Kings
04. Breathing Lightning
05. Suzerain
06. Evil Twin
07. Blood Eagle Wings
08. Defend/Avenge
09. All Of Them Thieves
10. This Battle Chose Us
11. Zero Tolerance

CD2 (Bonus Live-CD):

01. Fight ‘Em ‘Til You Can’t
02. A.I.R.
03. Caught In A Mosh
04. Madhouse


LINE-UP:

Joey Belladonna | vocals
Frank Bello | bass
Charlie Benante | drums
Jonathan Donais | lead guitars
Scott Ian | rhythm guitars





 
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